Description:

signed and dated in Arabic 'Ibrahim Abu Rub 1995'; inscribed in Arabic 'inspired by the massacre of the Ibrahimi mosque' (on the reverse)

  • Provenance: Collection of the artist. Acquired from the above by the present owner, 2006.
  • Dimensions: 210 x 473 cm (paper size)
  • Exhibited: Doha, Dr Ibrahim Abu Rub 'The Blood of Floods’, Qatar University 2003. Doha, Ibrahim Abu Rub, VCUQatar Gallery Exhibition, 2005.
  • Medium: acrylic on cardboard paper
  • Notes: PROPERTY FROM THE COLLECTION OF DR. JOCHEN A. SOKOLY Dr. Abu-Rub’s main subject, the human figure, is usually represented in large congested groups, sometimes painfully intertwined. While in his charcoal drawings the human form is more realistically drawn, in his large-scale acrylic paintings it is represented in an abstracted fashion. However, his figures are always anonymous, enabling the viewer to project himself into the scene. The forward and upward movement in the overall arrangement reminds one of the groups of figures represented in paintings such as Pablo Picasso’s Guernica or Théodore Géricault’s Raft of the Medusa. Both of these paintings are about human suffering and the quest for hope and relief. The movement of the figures represented in Dr. Abu-Rub’s drawings and paintings is a direct result of Dr. Abu-Rub’s technique. In both paintings and drawings he involves his whole body in creating strong lines that are reminiscent of the technique used in American Action Painting. Usually Dr. Abu-Rub’s work is executed on huge lengths of paper or canvas, sometimes up to 50 meters. While working, it appears as if the figures flow out of Dr. Abu-Rub’s arms and are the direct result of his inner vision.

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